RT Book, Section A1 Malouf, Joseph F. A1 Maleszewski, Joseph J. A1 Tajik, A. Jamil A1 Seward, James B. A2 Fuster, Valentin A2 Harrington, Robert A. A2 Narula, Jagat A2 Eapen, Zubin J. SR Print(0) ID 1161723216 T1 FUNCTIONAL ANATOMY OF THE HEART T2 Hurst's The Heart, 14e YR 2017 FD 2017 PB McGraw-Hill Education PP New York, NY SN 9780071843249 LK accesscardiology.mhmedical.com/content.aspx?aid=1161723216 RD 2024/04/18 AB The study of the heart and great vessels has expanded since the days of Andreas Vesalius, the great 16th-century anatomist who recognized the impact of anatomy on the practice of medicine. During the European Renaissance, the tomographic approach to the study of cardiac anatomy became popular because of its artistically based correlations. This is vividly depicted in the drawings of Leonardo da Vinci1 (Fig. 4–1), the first comparative anatomist since Aristotle (see Chap. 1). During the ensuing nearly 400 years, however, interest in cardiac anatomy was very sporadic and limited to a few zealous and pioneering physicians, anatomists, and artists. The 19th century ushered in the era of anatomic dissection for the study of physiologic and pathophysiologic processes, and correlations. Virchow in 1885 described the inflow-outflow method of cardiac dissection, which followed the direction of blood flow.2 It was quick and simple and became the dissection method of choice. The works of Virchow and Osler paved the way to understanding the pathophysiologic basis of such diseases as pulmonary embolism, endocarditis, and heart failure.2 Renewed interest in the study of cardiac anatomy and pathology was facilitated by the rise in autopsy rates in Europe and North America during the first half of the 20th century.3 Herrick described the clinical features of coronary thrombosis.3 Later, Blumgart, Schlesinger, and Zoll advanced our understanding of coronary artery disease through elegant clinicopathologic correlations.3